In chap 12 of “The Genius of Money,” we discuss two artists
and their work – Andy Warhol and Roy Lichtenstein. They both produced art
pieces that took inanimate objects and iconized them, giving them a new meaning
and making an individual stop and think about these things they see and observe
in everyday life. The main focus however is Roy Lichtenstein’s painting of a
ten dollar. This gives the dollar bill a whole new iconic image rather than
just a commodity.
The author John Bloom discusses how money has become
an iconic thing in our economy. It was supposed to be a means towards an end
once upon a time, however today money has become the end. The economy is
controlled by the world of commerce and business and the idea of a free market
is more of a myth than a reality. Few people control the market and it seems
like the free hand market economy no longer exists. He realizes that a ten dollar
bill doesn’t even have the same value anymore because the value relies on the
government and they can change it anytime by printing more money.
The chapter discusses how these paintings reflect
the rise of money as an end rather than a mean in the 1960s. With the
optimistic market after the World War II, money was idolized. It held more
power and the lust for money was growing strong. The painting by Andy Warhol
also shows how replication can dilute the value, and a simple idea of the
government printing more money can take away the value of a ten dollar bill so
easily. Hence money is not as important as it seems, and due to the control on
money and the market by the government and the businesses, it is an even more
dangerous commodity to play around with.
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